Janie's Got A Machine

I didn't stumble into tattooing — I clawed my way into it. I spent years obsessing over illustration, filling sketchbooks with the kind of dense, detailed linework that most people said was "too complicated" to translate onto skin. Turns out, they were wrong. Fine line tattooing gave me a way to put that exact energy onto a person and have it live there permanently, which is honestly still wild to me every single time.

What I do differently is sweat the details that most people won't even consciously notice — the weight of a line, the negative space, the way a piece sits on the curve of your body instead of just sitting *on* it. I work illustrative, which means your tattoo tells a story with real visual intention behind it, not just a reference image copied onto your arm. Every piece I draw is custom, because your skin isn't a flash sheet.

Salt Lake City is my home base, and this community has given me everything. My books open a few times a year, and spots go fast — so if you've been sitting on an idea, now's the time to reach out. Come talk to me. Let's make something you'll never want to cover up.